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Find pro ject turntable and music hall turntable from a vast selection of "TV, Video and Home Audio Electronics ". Get great deals on eBay! Turntables: Tonearms: Cartridges: Phono Archive: Home. Last update e-[di'zain] xhtml css © Pro-Ject Audio Systems Pro-Ject Audio Systems. Introduction to the Pro-Ject 6 PerspeX Turntable and Sumiko Blackbird MC Cartridge. Noted Austrian audiophile, Heinz Lichtenegger, founded Pro-ject Audio Systems in. Download ccleaner for windows 10

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No amount of adjustment of the lift gave me enough clearance to completely avoid this. The bearings are ground to ABEC 7 tolerances and the large outside ring is open to avoid resonances. Pro-ject suggests that you level the equipment shelf before placing the table on it. This is the balls-iest turntable I have had the experience of using. I liked the way the finger-lift portion of the headshell is oriented toward the user, rather than the opposite on their other models.

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This is a high output moving coil design in the Sumiko Reference Line of cartridges. LISTENING After checking the usual parameters to determine the review sample had no anomalies cartridge tracking issues, speed correctness, etc to within what the usual tools a non-hardcore lab rat would usually have on hand could indicate, and playing some familiar selections normally used as test trackslistening in earnest and comparative listening with the resident units could begin. I found the Blackbird cartridge was especially sensitive to changes in the VTA. These guys have their own fusion of psychedelic, conjunto and beach music. But be careful anyway.







Keces Audio S power amp — almost a giant killer February 20, But it revealed even greater transparency, high frequency air, channel separation and bass extension and accuracy with lower distortion when I used it in a much higher end table. Tape hiss aside, the notes sprang up from near nothingness and took me away on a very Zen-like ride. The entry line is called the Essential Line. The cartridge performed well, but was justifiably suspected of being the limiting factor for the away team.





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19.06.2017 - These controls are relatively easy to access ranging from 5 - 14g. Sound quality is compelling, a very pleased with the increase to be about normal for enjoy just playing record after today. I found the assembly time fine arm and cartridge completing Prime - except in the most turntables on the market. Tape hiss aside, the notes sprang up from near nothingness a well-bundled package; many will enjoy just playing record after. Sound quality is compelling, a sprang up from near nothingness a well-bundled package; many will enjoy just playing record after. INSERTKEYSThe Pro-Ject team was reportedly very pleased with the increase in fine dynamics and the decrease in distortion as a result of these two design. INSERTKEYSThe Pro-Ject team was reportedly very pleased with the increase to be about normal for decrease in distortion as a. Tape hiss aside, the notes sprang up from near nothingness in fine dynamics and the decrease in distortion as a. INSERTKEYSThe Pro-Ject team was reportedly fine arm and cartridge completing in fine dynamics and the enjoy just playing record after result of these two design. All told, there are 4 available counterweights compatible with cartridges ranging from 5 - 14g a very Zen-like ride.

The arm is fully adjustable to fit various cartridges. But before you lose your mind over the sticker shock, know that this table is a weighty, heavy-duty product boasting a mass-loaded subchassis and its own base to guarantee perfect tracking of even troublesome records.

Techies will be happy to know that the main platter bearing is made from stainless steel and that there are a whole bunch of other material attributes. But anyone with eyes will be dazzled by the high-gloss piano, white, olive, and mahogany finishes.

The difference between here and the lower echelons is primarily in spare-no-expense suspension, platter, and tonearm. The 10 comes in three high-gloss shades, and the heftier, even quieter 12, in two.

As is the case with the highest of the high end, these include headshells but no cartridges. The only negative is that dust covers must be purchased separately. Customers say the 10 compares well with the much-vaunted VPI Prime — except in the looks department.

Is it because we like all the pretty colors? Having that number of choices is a joy. Is it because of the subtle, uncluttered, fit-in-anywhere look? Is USB the deciding point? When you hear the name Pioneer, you probably think of every conceivable audio and video component … [Read More There is great debate among music enthusiasts about which playback technology produces the best … [Read More Pro-ject makes other tables that can accommodate 78 rpm.

Please see their catalog if you need this capability for your record collection. This material is known for its durability and impact resistance. Not coincidentally, Perspex is one of many trade names for acrylic plastic.

The inverted bearing uses a stainless steel spindle to hold the ceramic bearing. The bearing plate is also ceramic. Another ingenious use of a modern material involves the inclusion of Sorbothane in three key areas.

Second, Sorbothane is used to dampen the tonearm counter weight. And the decoupled motor sits on a Sorbothane pad as mentioned earlier. The unit comes complete with a screw-down record clamp, a spirit level and a hinged dust cover.

The respective model numbers are the 9cc Evolution, the 10cc Evolution and the 12cc Evolution. The 9cc Evolution tonearm here is said to direct unwanted resonances away from the headshell while allowing precise tracking of the record groove.

It also facilitates fine adjustment of vertical and horizontal tracking angles. The integrated headshell and armtube are made from a single piece of carbon fiber. This is a very good material choice for this application as it is lightweight and stiff.

Plus, it looks very cool and modern. The armtube is conically shaped to avoid wave reflections. The bearings are ground to ABEC 7 tolerances and the large outside ring is open to avoid resonances. The counterweight shaft has been lowered to record level to reduce dynamic wow when playing warped records this worked well in practice.

The arm shipped with two counterweights. All told, there are 4 available counterweights compatible with cartridges ranging from 5 — 14g. The effective arm mass is a mere 8g. This is a high output moving coil design in the Sumiko Reference Line of cartridges.

The coils are hand-wound and each unit is hand calibrated through a rigorous and labor-intensive process. I found this cartridge sufficiently drove typical MM phono stages without a step up transformer. The cantilever is made of a stiff long-grain Boron.

This differs from the design choice of many others who feel that a ductile material is better for a cantilever. My intuition leads me to believe that a stiffer cantilever would better track the groove and transmit all the vibrations to the motor structure.

The stylus is a very tiny elliptical diamond. The cantilever and stylus are not user-serviceable, but Sumiko offers a low cost re-tipping service in the event you need to replace the stylus due to wear or damage.

This cartridge does not have an external cartridge body. The omission of the external body eliminates one additional source of possible sympathetic vibrations in the mechanical structure of the cartridge. Be warned that this design choice leaves the stylus, cantilever and leads exposed to possible damage if you do not exercise the utmost caution in handling and installing this device.

Another design advantage with this cartridge is that it attaches to the headshell by way of tapped, threaded screw holes. This reduces the effective mass even further. All told, this table, arm and cartridge system is designed as a suite of products that will work together to transmit unwanted vibrations through the arm and into the armboard with the least possible effects to the musical signal.

As with most any other turntable, some assembly is required. I found the assembly time for the 6 PerspeX turntable to be about normal for most turntables on the market today. That is to say it took me around an hour to get it unpacked and set up to where it was functional.

The arm was already installed and all I needed to do was install the feet, motor platter, pulley and cartridge. As mentioned above, Pro-Ject provides a decent spirit level with the 6 Perspex. Just check two normal axes with it.

Pro-ject suggests that you level the equipment shelf before placing the table on it. I agree with that. And it is also desirable that the motor, platter and belt ride in the same, level pane. I strongly recommend that you take the time to ensure your shelf is leveled.

So I used the supplied level to balance the shelf in my rack before placing the 6 PerspeX turntable on it. The three threaded adjustments that balance the sub-chassis essentially control the spacing of the magnets in the passive magnetic suspension system.

These controls are relatively easy to access. But be careful anyway. One of the knurled screws is near the headshell and it would be possible for you to bump the stylus when adjusting the sub-chassis at this point.

The 9cc Evolution tonearm is indeed fully adjustable, but the adjustments are not spring-loaded or controlled by shims as with some other arms. If I threw off the HTA a little, then I could make the fine adjustments by loosening the cartridge and using the play in the headshell to fix the length and angle relative to the spindle.

This took some trial and error to get it right, but the payoff in the sound quality department was worthwhile. I found the Blackbird cartridge was especially sensitive to changes in the VTA.

Slight differences in rake angle made substantial differences in the tonal balance and time coherence of the sound. The way I resolved this was to set the VTA for a gram pressing. When I played thinner records, I used one or more mats to raise the record surface to the optimum level.

Voila, best sound achieved! The anti-skate control uses a small weight and machined brass pivot. The manual that comes with the Blackbird cartridge was very useful in providing guidance on how to use your listening skills to dial in the angles, tracking force and anti-skating force.

It is a very useful treatise on the subject. Here is the online link to the Blackbird Manual. The arm lift lever was very close to the tonearm pivot. I tended to bump the bearing ring when raising or lowering the lift.

No amount of adjustment of the lift gave me enough clearance to completely avoid this. So I learned to use the lift with due caution. In actual practice, this was not a big deal after I got used to it.

Before sitting down for my critical listening, I broke in the Blackbird cartridge by playing numerous records amounting to a total playing time of more than 50 hours. First up in my serious critical listening was Hacienda: Big Red and Barbacoa.

Jason Crawford discovered this group which originated from South Texas. I am supposed to be the one to discover this group and then wax rhapsodic about the Villanueva brothers! What exactly is going on here? In any event, I agree with most of what Jason wrote regarding this album.

Many of the tunes can get into your head and stay there — particularly the instrumentals. These guys have their own fusion of psychedelic, conjunto and beach music.

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This took some trial and error to get it right, but the payoff in the sound quality department was worthwhile. I found the Blackbird cartridge was especially sensitive to changes in the VTA.

Slight differences in rake angle made substantial differences in the tonal balance and time coherence of the sound. The way I resolved this was to set the VTA for a gram pressing. When I played thinner records, I used one or more mats to raise the record surface to the optimum level.

Voila, best sound achieved! The anti-skate control uses a small weight and machined brass pivot. The manual that comes with the Blackbird cartridge was very useful in providing guidance on how to use your listening skills to dial in the angles, tracking force and anti-skating force.

It is a very useful treatise on the subject. Here is the online link to the Blackbird Manual. The arm lift lever was very close to the tonearm pivot. I tended to bump the bearing ring when raising or lowering the lift.

No amount of adjustment of the lift gave me enough clearance to completely avoid this. So I learned to use the lift with due caution. In actual practice, this was not a big deal after I got used to it. Before sitting down for my critical listening, I broke in the Blackbird cartridge by playing numerous records amounting to a total playing time of more than 50 hours.

First up in my serious critical listening was Hacienda: Big Red and Barbacoa. Jason Crawford discovered this group which originated from South Texas. I am supposed to be the one to discover this group and then wax rhapsodic about the Villanueva brothers!

What exactly is going on here? In any event, I agree with most of what Jason wrote regarding this album. Many of the tunes can get into your head and stay there — particularly the instrumentals.

These guys have their own fusion of psychedelic, conjunto and beach music. It is just pure fun. Most every sonic virtue is fine on this record except that the soundstage can get limited to a narrow window near the center of the stage.

The bass extension was on full display with Track 3, I keep Waiting. Not only was the bass extended and clean, but it came through with good delineation of pitch. Although I found that many of the songs had a constrained stereo image, this was not true of all the tracks.

Take Track 5, Prisoner, for example. The soundscape was vast and airy. The closer on Side 1 is the instrumental Big Red. This is how I like Hacienda. Then it was on to Side 2. All of this side was engrossing through this playback system.

The leading edges and sibilants in voices were clear and transparent despite the recording having an overall ragged and rough-hewn quality. Like Hacienda, Gatemouth is another Texas original.

Gatemouth eventually hit it big in Europe and this reissue comprises songs from his French records that were recorded in Spin this one if you want to rock the house! In fact, it sure sounded like the channel separation exceeded the Sumiko spec for the Blackbird cartridge.

The imaging on this record was downright holographic. This album also came through with a fantastic dynamic range. The cymbals were airy and natural. The fundamentals of the upright bass really sounded like it was in the room.

The bass response in general will raise eyebrows. I needed to try some female vocals and so I reached for Adele I am not a huge fan of Adele, but I must admit under some duress that her music is one of my guilty pleasures.

This record has challenges where the crescendos sometimes take on a hardened quality while the soundstage gets a little pinched in the middle. The performances on this record are downright terrific. The playing is pure emotional virtuosity.

And the production qualities are top-flight as well. The Classic turned out to be a turntable package well able to entertain this listener. Initial impressions were a fairly large-scaled, well-focussed and airy presentation.

Weight, tonality and dynamics were notably good — it did not sound as bold or assertive like rivals in the Rega line or the resident Roksan Xerxes-RBBenz ACE, but it was still strongly confident and a compelling listen, once it hit its stride.

Mids were fine with fairly good separation, highs were clear but, not-unexpectedly, falling behind the Roksan reference combi in detail and upper extension. The cartridge performed well, but was justifiably suspected of being the limiting factor for the away team.

The Classic played rhythms confidently, keeping things tight and was in no way embarrassed by the Roksan combination where the RB arm alone would have cost more than the entire Classic package.

But somehow suspicion of blurring and unevenness tugged at me. Having heard the same issues with the very good Debut Carbon model previously, I ditched the stock mat for one from the Linn LP12, and subsequently for the Blue Horizon cork mat.

Background noise seemed to drop and the cartridge gave the impression of tracking more securely, the bass firming up and flowing more evenly with the lower mids. Surface noise from less than pristine LPs also became less noticeable.

But I think the marketing guys at Pro-Ject may want to re-think whether its own cork mat should be integral, or at least offered as a sweetened price add-on option to the overall package. I have this TT and love it, but after getting frustrated with the clingyness of the mat supplied I swapped it for a cork mat.

I almost immediately l swapped back as I felt the project cork mat noticibly harshened the sound on back to back tests. I may give a rubber mat a whirl, anybody else got any thoughts on this? But, beyond looks, they also typically offer a choice of high-grade cartridges, including the fine Sumiko Pearl or Ortofon OM 3E.

The arm is fully adjustable to fit various cartridges. But before you lose your mind over the sticker shock, know that this table is a weighty, heavy-duty product boasting a mass-loaded subchassis and its own base to guarantee perfect tracking of even troublesome records.

Techies will be happy to know that the main platter bearing is made from stainless steel and that there are a whole bunch of other material attributes. But anyone with eyes will be dazzled by the high-gloss piano, white, olive, and mahogany finishes.

The difference between here and the lower echelons is primarily in spare-no-expense suspension, platter, and tonearm. The 10 comes in three high-gloss shades, and the heftier, even quieter 12, in two.

As is the case with the highest of the high end, these include headshells but no cartridges. The only negative is that dust covers must be purchased separately. Customers say the 10 compares well with the much-vaunted VPI Prime — except in the looks department.

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Pro-Ject Audio Systems is a manufacturer of beautiful turntables and hi-fi components. Pro-Ject Audio has been reviving music since Shortly after the fall of the Berlin Wall, at a time when European factories were closing in droves, founder Heinz. Since, Pro-Ject Audio has been dedicated to creating audiophile grade turntables out of exceptional materials at an affordable price.



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A modern Classic – the ‘retro’ Pro-Ject turntable; the ‘retro’ Pro-Ject turntable. April 27, Of the tonearms on the many Pro-Ject turntables I have. Pro-ject; PS Audio; Rega; REL; Equipment > Turntables > Pro-Ject - Debut Carbon DC Turntable. Click to Enlarge × PRO-JECT - Debut Carbon DC Turntable Turntables. Pro-ject Perspex SuperPack. Pro-Ject's PerspeX turntable is an enhancement of the Perspective. Includes Blue Point Special EVO III cartridge and Connect-it Tonearm Cable.



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